The star cast of the film is busy with their other respective projects.Ĭertainly in a nice phase of Rani Mukerji As for now, there is not much happening on the movie’s front. To know the mystery of Talaash, one has to wait till November 30. Both the respective protagonists Inspector Shekhawat and Lucius Leffing are investigating a crime incident that takes place in and around a water body and both the protagonists are undergoing a personal crisis at the time of investigating their cases. However, it is being pointed out that the movie, directed by Reema Kagti, has taken inspiration from an American novelĪs a source points out, “One can’t help but notice certain similarities. Mukerji ( No One Killed Jessica) is warm, inviting and real while Siddiqui, who has enjoyed exposure to Western audiences in festival films such as Gangs of Wasseypur and Peepli Live, menaces in the role of a grown son of a prostitute who will do anything to escape that world.Cast Aamir Khan, Kareena Kapoor, Rani Mukherjee, Rani Mukerji more.Īamir Khan’s production film Talaash is one of the biggest releases of the year, and thus the story of the film, which is a murder mystery, is a closely guarded secret. Kapoor - who co-starred in 3 Idiots and shares an attractive rapport with Khan - shows a new depth in the role of a prostitute who is just a bit too glossy for her squalid surroundings (the reason for this becomes clear). Cerebral, quick-talking roles like this are his specialty, but toward the end of this film, a cathartic scene in which he comes face-to-face with his grief leaves the greatest impact.
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Khan is an actor-turned-director (the excellent Taare Zameen Par/Like Stars on Earth) with memorable starring roles in the Oscar-nominated Lagaan, the festival charmer Mumbai Diaries and the blockbuster comedy 3 Idiots. Additional dialogue by Farhan Akhtar and Anurag Kashyap adds heft to Kagti and Zoya Akhtar’s screenplay. Ltd.), who has assisted leading modern filmmakers Zoya Akhtar and Farhan Akhtar, performances are strong throughout, and the pacing of the film moves easily from the intimacy of Suri’s home life to the urgency of action scenes set on city streets and even on a busy Mumbai commuter train.
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Under the direction of the perceptive Reema Kagti ( Honeymoon Travels Pvt. STORY: Brad Pitt: ‘I Would Love to Work in A Bollywood Film’
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Shreya and Suri cope with the pain in dramatically different ways: she finds comfort by talking to a psychic, while he scorns the supernatural and tamps down his grief.
Suri pours himself into his work partly to avoid his wife Shreya ( Rani Mukerji), who though beautiful, loving and patient, nevertheless reminds Suri of the ache caused by the death of the couple’s 8-year-old son. a luxury car driven by a Bollywood star careened down Seaface Road, swerved right and crashed through a barrier to splash into the Arabian Sea, killing the actor.Īs Suri investigates the death, which took place near a red-light district, he is drawn into the intrigue and secrets of its whores, pimps and drug addicts, most strikingly the mysterious prostitute Rosie ( Kareena Kapoor) and the ambitious, crippled Tehmur ( Nawazuddin Siddiqui). Khan has taken to Twitter and Facebook urging viewers: “please don’t let out the suspense!”Ī top cop in Mumbai, Suri (Khan) is working to solve a crime that his colleagues say is “A-Final,” or unsolvable: at 4 a.m. Now, the challenge is to keep a lid on the film’s twist ending.
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When those inevitable cracks appear in Suri’s world, the film grabs on tight and doesn’t let go.Īamir Khan, Talaash’s star and co-producer with Ritesh Sidhwani and Farhan Akhtar, will reap both accolades and revenues from this unapologetically emotional suspense film, eagerly awaited by audiences as Khan’s return to the big screen since the 3 Idiots star’s recent turn as the activist reality show host of the hard-hitting nonfiction Indian TV show Satyamev Jayate (Truth Alone Prevails), which shines some of Khan’s star power on pressing Indian social issues. Talaash isn’t taut, but loose and messy, the better to allow life’s jagged edges to disturb the muscular, controlled world that its protagonist, Surjan “Suri” Shekhawat, has created for himself.